nanaxlaptop.blogg.se

• #Handmaids tale summary episode 7 free#

Offred launches into the man, kicking and tearing at him. “When I blow the whistle, what you do is up to you,” she says, offering them freedom of will. Offred, believing best friend Moira to be dead, joins her peers in a big red circle as Aunt Lydia signals to the women. Words have power.Īll that pent-up rage and removal of agency is unleashed in the most disturbing moment of the episode, when a convicted “rapist” (he had sex with a pregnant handmaid) is brought before the women for punishment. Her initial thoughts on shopping partner Ofglen – “she’s a pious little shit with a broomstick up her ass” – are a linguistic depth-charge in an otherwise formal script. “Get out,” she hisses at Offred as soon as the deed is done.įlashes of the time before … Offred holds the past in her head, both torturing and training herself to survive even when all hope seems lost. The monthly Ceremony forces the three of them into a holy ménage a trois where the Commander, hands on hips, thrusts dismally at a prone Offred, her hands held on either side by an equally miserable Serena. She must produce a child for them or be sent to the colonies to clean up toxic waste, a one-way ticket to sickness and painful death. Offred belongs to the Commander (Joseph Fiennes) and his embittered wife Serena Joy (Yvonne Strahovski). The men don’t seem to have it any easier as the hanging corpses down by the river, blackened feet worried by flies, underline.

#Handmaids tale summary episode 7 free#

May the lord open.” Free speech is forbidden and Eyes (government agents) are everywhere, cruising the streets in black vans or hidden among household staff, incognito.įrequent tight focus on the faces of Offred and Ofglen (Alexis Bledel) convey the constant gut-knot fear of life as a woman there. Barely anyone raises their head to say hello without adherence to the strict greeting: “Blessed be the fruit.

So watched and drilled are the subjects of Gilead that all casual chat is banished.

But the Guardians have found them, and as the boat swerves away from gunshots and speeds towards safety, only Luke and the silent woman make it out alive.Fertile women are now prize cows … Offred (Moss) wearing the vestments and wimple of the handmaid. Luke agrees to join the fugitives, giving the boatman Percocet and morphine, salvaged from the crashed ambulance, and his wedding ring in exchange for passage to Canada. The group has a plan to escape, but Luke won't go, refusing to leave his wife and daughter behind-until Zoe (Rosa Gilmore), one of the rebels, shows him a whole town that was hanged from the rafters of their church after trying to resist. They bandage his wound and drive him towards the border, along with one other rescued passenger: a silent, traumatized woman with a tag on her ear, who the fugitives found in a handmaid training center. Handmaid's Tale feels real because it's not just a story about a woman trying to endure an oppressive society-it's a story about how easily she could become a part of one.Īs June is taken to the Rachel and Leah Center to become a handmaid, Luke makes it to a small town, where the walls are graffitied with "GENDER TRAITOR" and "FAGS DIE." He collapses inside an abandoned home, and is found by a group of fugitives ("an army brat, two strays, a gay, and a nun," as one describes them).

For a while, as they make chocolate chip pancakes and skip rocks on the pond, it seems as though they'll be able to escape to Canada. After being smuggled out of the city by a friend of June's mother, they believe they have found temporary safety in a remote cabin. Handmaid's Tale feels real because it's not just a story about a woman trying to endure an oppressive society-it's a story about how easily she could become a part of one.Ī great deal of this comes to light in "The Other Side," which flashes back to the time when June and her husband Luke (O-T Fagbenle) realized they had to get out of Boston to save June and their daughter Hannah (Jordana Blake). It shows June upset, but thinking things might right themselves. Through flashbacks, viewers see June (Elisabeth Moss) remaining in Boston after the Commanders make it illegal for women to have bank accounts or jobs, and staying put even though they're shooting protesters and coordinating attacks on the US government. Instead of dropping its audience into a bleak world they could never imagine, it shows that world's gradual transformation. It's dystopian fiction, but not very far removed from reality. Handmaid’s Tale Is Somehow All the More Terrifying as a Hulu Show ArrowĪs The Handmaid's Tale has rolled out on Hulu, two main talking points have emerged: First, it is very unsettling, and second, it is unsettlingly possible.